Can New Up-and-Coming Artists or Labels Afford to Give Away Music For Free?
By Jakomi Mathews on May 06, 2008 with Comments 5
With the proliferation of large megastar artists giving away their music for free, think Prince, Oasis, NIN Radiohead and Coldplay, is giving away music just a brief trend or is it here for the long-haul? Where does it leave young new artists who have not had the benefit of large marketing budgets to build national and international audiences? Will young up and coming artists be able to derive an income from other income sources if they give their recorded music away for free? Where does this, leave record labels in terms of investment in new talent?
This last year has witnessed numerous free or quasai free music giveaway models where large globally recognised artists primarily of megastar status have given away their music for free. Quite often these artist were actually paid and it was a brand whether that be a newspaper or a radio station that paid the artist a fee to give away the music to their customers for free. So to the consumer it appeared as a free giveaway but in reality the artist was paid a fee. The Prince giveaway was a hardcopy CD with the aim to drive footfall at concerts, whilst Oasis was a digital giveaway by a radio station, NIN was a straight digital album giveaway and Radiohead was a set your own price mechanism for a digital album with the aim to release a high cost physical album at a later date.
Now are any of the above variations feasible for new and upcoming artists? I seriously doubt it, as all of the above artists had seriously large marketing budgets put behind them at the beginning of their careers to which played a significant role in the international audience levels they now command. To gain exposure and build an international career in the music business requires serious marketing budgets, none of which, new and upcoming artist have access to. New artists, have none of the income streams available to massive megastar stature artists. Subsequently, I personally believe that giving away recorded music for free will actually lead to a further downward cycle in the sale of recorded music.
Implicit in the giving away of music for free, is a direct association with the devaluation of recorded music in the eyes of the consumer. So are these megastars playing a direct part in the devaluation of music in the eyes of the fan? Reluctantly, I would state that they are, as whilst it increases there own income potential, on the flip side it adversely effect’s the income streams available to new and un-established artist’s. If new artist do not have significant marketing budgets behind them to build and grow an audience base from which they can afford to give away their recorded music for free, obviously larger artists giving away their music for free is detrimental to new and upcoming artists career potential.
Does creating the perception of recorded music being given away for free even if that is not the case ie. It was paid for by some brand so it would be free to the consumer do artists, songwriters, labels and publishers any favours? If anything it reinforces the perception of music being valueless in the eyes of the music consumer. The argument follows that if consumers are expecting their recorded music for free where is the money for a label to sign an artist or a publisher a songwriter, going to come from if that label cannot sell that recorded music to music consumers? Faced with ever-receding incoming revenue labels cannot afford for music to be given away for free.
If free is the model of the future, how will labels and artists make their income? Flogging artists to endorse other consumer brands may be one option. But realistically, how many artists would even consider such tie-ups? As obviously, if brands are paying for a release they are going to want to have a much high level of control not yet seen over artistic creativity and style of the artists they are funding. Is such a model sustainable in the longer-term? It may have a part to play in large manufactured pop artists careers, but apart from that in my mind it has limited viability.
Sadly, I do believe that due to the increasing number of megastars demonstrating the appearance of giving away their music for free that it may be a model which is here for the long haul. My main concern is that it is the 360 deals artists are doing with the likes of Live Nation that are driving this freebee model. Perhaps they can sustain it, yet the record labels certainly cannot. If recorded music is being given away for free, what money will labels have to invest in new artists? If labels have less to invest in artists due to recorded music being devalued in such a manner how can an artist expect to have a reasonable chance at a long-term career as an artist like the megastar artists. What happens when these massive global stars pass away? What will there be left for the industry and artists if the music we all love is unsustainable as a business?
Other readers also read:
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Ed O’Brien Speaks Exclusively About “In Rainbows” PART 2
Free Isn’t Working, What’s Next?
Revisit to Can New Up-and-Coming Artists Afford to Give Away their Music for Free
Filed Under: Business Models • Mobile • Online • Uncategorized
About the Author: Jakomi Mathews – Founder & Editor, The Music Void
















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Well, if you are only trying to promote your music meaning that you are a virtually unknown musician..then giving away your music for free will definitely help you in the marketing process. Due to struggling sales in the industry it is hard to imagine that anyone is going to fork over even a dollar on itunes for a group or band they’ve never heard of. Also back in the day artist didn’t have the internet for marketing and now musicians have myspace, youtube, facebook, reverbnation, mp3.com, ourstage, and a plethora of sites with millions of new potential fans all at your disposal with the click of a button.
[...] one from a high level English Music Promoter forcefully stating that my views were very “old school”. This same industry executive also went on to state that new and upcoming artists should be [...]
[...] one from a high level English Music Promoter forcefully stating that my views were very “old school”. This same industry executive also then went onto state that new and upcoming artists should be [...]
Hi jakomi
I read your piece on giving away music for free. Nicely writen but surprised how old school and out of touch it was. Record labels have already stopped investing in new talent. Well ok they still do some radio 2 supermarket acts(hello duffy and adele). And when supermarkets stop selling cds(prob a years time) that will be the end of that.
Or at least will be end of investment purely based on traditional model.
Indy labels with a back catalogue can prob survive for another year dealing with cast offs from majors but again that will be that. So sort of waste of time talking about labels(the names might survive ) but not their traditional role.
So can new artist afford to give away music for free is frankly a ridiculous question. They would be mad not too. But give it away in exchange for fans email addresses. So bands have to treat themselves as mini companies doing a cottage industry thing.
They will not initialy get traditional managers as no longer that carrot of cut of advance. But when the cream of the new bands start rising will be new sorts of companies out there providing services in exchange for chunk of company.
I totally agree with you. I am doing some research about these new emerging brand associations and i believe that even this approach is diminishing more the value of music as brands use music just as an add-on to promote the brand. They dont care about the actual music or the industry and brands are ready to abolish the music if it doesn’t serve their marketing strategies(Starbucks example). The music industry seems to eager to adopt these branding deals that eventually will harm the business as no corporation actually cares about the value of music but its interest lies in raising its profile.