Industry Opinions: MOG, Rhapsody and We7

Posted by | April 19, 2011 | 18,140 views

This week we look at key executive’s opinion focusing on streaming services views on Cloud Music services a-la Amazon, Google and Apple and what their impact will be on streaming music services.

Steve Purdham
CEO – We7.com

“Cloud Based streaming is clearly the future of music listening/watching and the great news is that this will increase the overall consumption of music because its easy and convenient on both on-line and mobile devices. The digital locker services such as that from Amazon (and eventually Apple) will be prove to be temporary steps to full cloud based subscriptions services which will then be dominated by Apple with Amazon in second place by a long way. But these subscription services will only reach the top 5-10% of music listeners at best, dominated by males over 34, with the ad supported world reaching the vast majority of the mass market basically emulating the traditional music world of cd purchasers vs radio listeners. Both economic structures should be encourage and we7, Apple and Amazons initiatives should be embraced and expanded as it is my belief that this will expand music adoption for the benefit of the total music industry long term.”

Jon Irwin
President – Rhapsody

“Cloud-based lockers offer a completely different value proposition than on-demand services like Rhapsody. That said, we believe that efforts by Amazon, Google and Apple that condition music consumers to go to the cloud to access their collections further amplify awareness and acceptance of on-demand music. We believe that these new services will help get more and more people to understand the tremendous value of having total access to their music using the Rhapsody service, which brings your music to you wherever and however you want to enjoy it, while experiencing the joy of music discovery that Rhapsody enables. Unlike these companies, we’re not just selling downloads and a locker to store them in, we are selling a musical journey that does not require paying a toll of .99 to $1.29 for each stop along the way.”

David Hyman
CEO – MOG

“Cloud based locker services are a stepping-stone for folks looking to get into the cloud music space; it’s a relatively easy thing to build that doesn’t have long development cycles to bring to market. The appeal is somewhat limited given lockers require people to upload what they already own to the cloud in order to then stream it back to themselves, and this does not come without restrictions. Most music lovers have their collections fitting on local storage devices like iPods or mobile phones, so the need isn’t really there for many. However, it’s great to see the market heading in the right direction. MOG is confident that what consumers ultimately want is an all-you- can-eat, on demand music service that offers unlimited listening from essentially everywhere – online, on mobile devices, in the living room and in the car.”

NB: Spotify declined to comment on the aforementioned topic providing us with this: “Would love to help but a) we are mental crazy this week,  following the changes to the free service and b) we try to focus on our own service and don’t comment on others.”

Related Posts:

Tumblr, The Next Big Platform for Musicians?

Site Review – MOG Music Streaming Service

Who’s Who In The New Music Gold Rush

Exclusive: TMV Q & A with We7.com CEO Steve Purdham

Rhapsody Mobile App Allows Users to Download and Play Playlists

EXCLUSIVE TMV Q & A: Orpheus Media Research/MYNA

TMV Q & A: Lee Winterson, CEO and Founder – OMP3.org

Four Reasons Why Fans Are File Sharing Your Music (That You Can Change)

Be Sociable, Share!
Posted by on Apr 19 2011. Filed under Digital, featured. You can follow any responses to this entry through the RSS 2.0. You can skip to the end and leave a response. Pinging is currently not allowed.

2 Comments for “Industry Opinions: MOG, Rhapsody and We7”

  1. Alex Cockell

    I have a paid subscription to We7 – the way I understand it is that We7 are paying the PRS the required rates and being aboveboard with the licensors of the music I play through them. The people who license that material is most likely to be the major labels. If there is a mismatch between playout and royalty payment – and you have a beef with the cash you’re getting – it’s more likely to be the artist-label relationship – which We7 as a retailer has no control or influence over.

  2. Good analysis Steve, however it’d be easier to take your comments more seriously if We7 paid out its “royalties” on time like a real retailer does. ad revenue serices are a good idea if you’re not poised to be under collection suits from everybody involved.

Leave a Reply

Premium WordPress Themes

Video Interviews

Built and Maintained by YouBloom Services
WordPress Blog
Wp Advanced Newspaper WordPress Themes Gabfire