What’s That Sound?

Posted by | Jan. 31, 2013 | 7,425 views
Metallica: "We owe it all to you, Sylvia"

Metallica: “We owe it all to you, Sylvia”

Can you hear it? If you listen very closely, you can hear a bloodcurdling scream emanating from Palm Beach, FL. It’s the sound of Bob Krasnow having a massive stroke. He had just read Sony Music’s press release announcing their new venture with Sylvia Rhone and her Vested in Culture (VIC) label.

So why was Krasnow having a cow? The press release states that Sylvia “served as Chairman/CEO of the Elektra Entertainment Group (EEG), where she was responsible for the breakout success of Missy Elliott, Metallica, Busta Rhymes, Natalie Merchant, En Vogue, Staind, Tracy Chapman, Jason Mraz, Yolanda Adams, Third Eye Blind, Gerald Levert, Ol’ Dirty Bastard and Fabolous, among many others.”

It so happens that Krasnow signed AND broke Metallica, Natalie Merchant and Tracy Chapman when HE was Chairman of Elektra. No if’s, and’s or but’s about it. Krasnow did it. In fact, Sylvia wasn’t even working at Elektra Records when Tracy Chapman hit with “Fast Car”— she was still at Atlantic! Nothing like credit glomming to propel your career, at least if you don’t get caught doing it.

What’s better yet is the quote from Sony Music’s septuagenarian CEO Doug Morris. “Sylvia is one the most talented and gifted creative executives in the industry. She is a proven success who time-and-again has displayed a special understanding of how to inspire great artistry and develop hits. We are excited to be working with her on this new venture, and we are proud to call her a member of the Sony Music family.” If that doesn’t get you in the kishka nothing will. That Doug sure knows his stuff, of course while conveniently forgetting that the last two historic record labels that Rhone headed, Elektra and Motown, were each immediately shuttered upon her exit thanks to her “proven success” and “special understanding”. Doug doesn’t mention their very long, close personal relationship in his statement.

Together again, at last. Sylvia Rhone and her father

Together again, at last. Sylvia Rhone and her father

To put an exclamation point on the story, a former Rhone associate told me a little anectdote that sums up her rock music career.

When Sylvia was running Elektra, she had a meeting with the manager of Phish, one of the biggest acts on the label. At the end of the meeting, the manager said “I guess I’ll be seeing you “. Rhone, clueless, asked what he was talking about.

The manager responded that the band was in town to play Madison Square Garden for three nights that week.

Sylvia reportedly said “That’s great. Who are you opening for?”

I rest my case.

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Posted by on Jan 31 2013. Filed under featured, Labels. You can follow any responses to this entry through the RSS 2.0. You can skip to the end and leave a response. Pinging is currently not allowed.

3 Comments for “What’s That Sound?”

  1. Is this the same Sylvia Rhone who couldn’t wait to dump your partner Towa Tei back to Warner Japan as a solo artist and put your tracks on a million compilation albums throughout the world without your permission?

  2. Bob Krasnow- he should get a slap for refusing to release the Jimi hendrix album recorded with Arthur lee from Love and bragging about how his personal feelings about Arthur lee kept him from releasing it. his ego and ignorance made him and also destroyed him

  3. They were both great in their own corners. There is room for them both to be congratulated. This article is just a skewed as the first. Bob Krasnow is responsible for dropping Moby before he blew up on another label, as well as the prodigy ,whom blew up after being dropped by elektra as well and for not funding deee-lite. he knew nothing about dance music or hip -hop. He loved Anita baker and was just as out of touch with the youth. whereas…Sylvia focussed on hip-hop and made elektra the most exciting pop-rap label by investing in Missy elliot and busta-rhymes who the label had previously ignored. They both deserve props from different departments. Both should be chopped for not having the foresight of recognizing dance music ‘s future. – Lady Miss kier from deee-lite

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