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	<title>THE MUSiC VOiD &#187; Business Models</title>
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	<link>http://www.themusicvoid.com</link>
	<description>The music industry’s leading sources for music industry opinions, insights and interviews.</description>
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		<item>
		<title>Analyst: Streaming Music May Already Be Hitting A Ceiling</title>
		<link>http://www.themusicvoid.com/2012/09/analyst-streaming-music-may-already-be-hitting-a-ceiling/#utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=analyst-streaming-music-may-already-be-hitting-a-ceiling</link>
		<comments>http://www.themusicvoid.com/2012/09/analyst-streaming-music-may-already-be-hitting-a-ceiling/#comments</comments>
		<pubDate>Tue, 25 Sep 2012 11:10:04 +0000</pubDate>
		<dc:creator>Robert Andrews</dc:creator>
				<category><![CDATA[Business Models]]></category>
		<category><![CDATA[Digital]]></category>
		<category><![CDATA[digital music]]></category>
		<category><![CDATA[Imeem]]></category>
		<category><![CDATA[Mark Mulligan]]></category>
		<category><![CDATA[MOG]]></category>
		<category><![CDATA[Paid Streaming]]></category>
		<category><![CDATA[Rdio]]></category>
		<category><![CDATA[Rhapsody]]></category>
		<category><![CDATA[Spotify]]></category>
		<category><![CDATA[Vodafone UK]]></category>

		<guid isPermaLink="false">http://www.themusicvoid.com/?p=14965</guid>
		<description><![CDATA[Subscription services like Rdio, Mog, Rhapsody and Spotify promise to restore stronger growth to the music industry. The model’s best hope, Spotify, has four million paying subscribers. But what are the real prospects for the sector? Music industry analyst Mark Mulligan, presenting at Future Music Forum in Barcelona on Thursday, sounded a note of caution… [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Exclusive Interview: Richard Cohen, CEO LoveLive Part 1 (VIDEO): Framework Agreements &amp; Rights Clearance</title>
		<link>http://www.themusicvoid.com/2012/09/exclusive-interview-richard-cohen-ceo-lovelive-part-1-video-framework-agreements-rights-clearance/#utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=exclusive-interview-richard-cohen-ceo-lovelive-part-1-video-framework-agreements-rights-clearance</link>
		<comments>http://www.themusicvoid.com/2012/09/exclusive-interview-richard-cohen-ceo-lovelive-part-1-video-framework-agreements-rights-clearance/#comments</comments>
		<pubDate>Fri, 07 Sep 2012 17:10:26 +0000</pubDate>
		<dc:creator>Laura Grivainis Thorne</dc:creator>
				<category><![CDATA[Business Models]]></category>
		<category><![CDATA[Digital]]></category>
		<category><![CDATA[Labels]]></category>
		<category><![CDATA[Marketing]]></category>
		<category><![CDATA[content development]]></category>
		<category><![CDATA[Digital Content]]></category>
		<category><![CDATA[Digital Content Monetization]]></category>
		<category><![CDATA[Digital Platforms]]></category>
		<category><![CDATA[experiential marketing]]></category>
		<category><![CDATA[Music and Brands]]></category>
		<category><![CDATA[streaming videos]]></category>
		<category><![CDATA[YouTube]]></category>

		<guid isPermaLink="false">http://www.themusicvoid.com/?p=14856</guid>
		<description><![CDATA[TMV&#8217;s Laura Thorne interviews Richard Cohen, CEO of London-based LoveLive, a music content developer and strategic service provider working with artists, labels and brands. Prior to forming LoveLive in 2008, Cohen was on the board and Entertainment Managing Director at sports media company Perform Group, and previously held senior positions at Framestore CFC and Image.Net [...]]]></description>
		<wfw:commentRss>http://www.themusicvoid.com/2012/09/exclusive-interview-richard-cohen-ceo-lovelive-part-1-video-framework-agreements-rights-clearance/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>NARIP Music Sup Session Monday Sept 3: Interview, Sharon Dean</title>
		<link>http://www.themusicvoid.com/2012/08/narip-music-sup-session-monday-sept-3-interview-sharon-dean/#utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=narip-music-sup-session-monday-sept-3-interview-sharon-dean</link>
		<comments>http://www.themusicvoid.com/2012/08/narip-music-sup-session-monday-sept-3-interview-sharon-dean/#comments</comments>
		<pubDate>Fri, 31 Aug 2012 08:56:22 +0000</pubDate>
		<dc:creator>Laura Grivainis Thorne</dc:creator>
				<category><![CDATA[Business Models]]></category>
		<category><![CDATA[featured]]></category>
		<category><![CDATA[Industry Events]]></category>
		<category><![CDATA[Music and Brands]]></category>
		<category><![CDATA[Music Licensing]]></category>
		<category><![CDATA[music publishing]]></category>
		<category><![CDATA[music supervision]]></category>
		<category><![CDATA[PRS]]></category>
		<category><![CDATA[Publishing]]></category>
		<category><![CDATA[synch]]></category>

		<guid isPermaLink="false">http://www.themusicvoid.com/?p=14813</guid>
		<description><![CDATA[NARIP hosts its next Music Supervisor Session in London this Monday September 3. In honour of the occasion, we talked with Sharon Dean (Director of NARIP&#8217;s London chapter and as well as founder/director of Respect Music and ex Director of Licensing, PRS) about the publisher&#8217;s role, sync placements and co-writes. TMV: Tell us about NARIP [...]]]></description>
		<wfw:commentRss>http://www.themusicvoid.com/2012/08/narip-music-sup-session-monday-sept-3-interview-sharon-dean/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>LoveLive/Rockfeedback/Transgressive&#8217;s Toby L &#8211; Part Two &#8211; VIDEO</title>
		<link>http://www.themusicvoid.com/2012/08/loveliverockfeedbacktransgressives-toby-l-part-two-video/#utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=loveliverockfeedbacktransgressives-toby-l-part-two-video</link>
		<comments>http://www.themusicvoid.com/2012/08/loveliverockfeedbacktransgressives-toby-l-part-two-video/#comments</comments>
		<pubDate>Fri, 24 Aug 2012 14:00:58 +0000</pubDate>
		<dc:creator>Laura Grivainis Thorne</dc:creator>
				<category><![CDATA[Business Models]]></category>
		<category><![CDATA[Digital]]></category>
		<category><![CDATA[Marketing]]></category>
		<category><![CDATA[content development]]></category>
		<category><![CDATA[Digital Content]]></category>
		<category><![CDATA[Digital Content Monetization]]></category>
		<category><![CDATA[Digital Platforms]]></category>
		<category><![CDATA[experiential marketing]]></category>
		<category><![CDATA[Music and Brands]]></category>
		<category><![CDATA[streaming videos]]></category>
		<category><![CDATA[YouTube]]></category>

		<guid isPermaLink="false">http://www.themusicvoid.com/?p=14762</guid>
		<description><![CDATA[Part Two of our interview with LoveLive/Rockfeedback/Transgressive founder Toby Langley, discussing LoveLive&#8217;s collaboration with YouTube, their philosophy around the band and brand partnership, and his views on content development and where it&#8217;s headed down the road. We interviewed Toby at the Lexington pub prior to opening &#8211; where they have presented many an event &#8211; [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>LoveLive/Transgressive/Rockfeedback&#8217;s Founder Toby Langley (VIDEO)</title>
		<link>http://www.themusicvoid.com/2012/08/lovelivetransgressiverockfeedbacks-founder-toby-langley-video/#utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=lovelivetransgressiverockfeedbacks-founder-toby-langley-video</link>
		<comments>http://www.themusicvoid.com/2012/08/lovelivetransgressiverockfeedbacks-founder-toby-langley-video/#comments</comments>
		<pubDate>Sun, 12 Aug 2012 19:02:34 +0000</pubDate>
		<dc:creator>Laura Grivainis Thorne</dc:creator>
				<category><![CDATA[Business Models]]></category>
		<category><![CDATA[Digital]]></category>
		<category><![CDATA[Marketing]]></category>
		<category><![CDATA[content development]]></category>
		<category><![CDATA[Digital Content]]></category>
		<category><![CDATA[Digital Content Monetization]]></category>
		<category><![CDATA[Digital Platforms]]></category>
		<category><![CDATA[experiential marketing]]></category>
		<category><![CDATA[Music and Brands]]></category>
		<category><![CDATA[streaming videos]]></category>
		<category><![CDATA[YouTube]]></category>

		<guid isPermaLink="false">http://www.themusicvoid.com/?p=14735</guid>
		<description><![CDATA[Toby Langley, known colloquially as Toby L, started interviewing bands in the UK when he was just fifteen years old. It was the year 2000, and the website Rockfeedback was born. In 2004, Toby and his partner, Tim Dellow, went on to form Transgressive, a record label, management and publishing house, and are working/have worked [...]]]></description>
		<wfw:commentRss>http://www.themusicvoid.com/2012/08/lovelivetransgressiverockfeedbacks-founder-toby-langley-video/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>US Government Slams Qtrax Owners</title>
		<link>http://www.themusicvoid.com/2012/03/us-government-slams-qtrax-owners/#utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=us-government-slams-qtrax-owners</link>
		<comments>http://www.themusicvoid.com/2012/03/us-government-slams-qtrax-owners/#comments</comments>
		<pubDate>Thu, 29 Mar 2012 14:30:33 +0000</pubDate>
		<dc:creator>Wayne Rosso</dc:creator>
				<category><![CDATA[Business Models]]></category>
		<category><![CDATA[Digital]]></category>
		<category><![CDATA[featured]]></category>
		<category><![CDATA[Allan Klepfisz]]></category>
		<category><![CDATA[BLLN]]></category>
		<category><![CDATA[Brilliant Technologies]]></category>
		<category><![CDATA[Lance Ford]]></category>
		<category><![CDATA[Qtrax]]></category>
		<category><![CDATA[Securities and Exchange Commission]]></category>

		<guid isPermaLink="false">http://www.themusicvoid.com/?p=14071</guid>
		<description><![CDATA[Could it finally be over for Allan Klepfisz?]]></description>
		<wfw:commentRss>http://www.themusicvoid.com/2012/03/us-government-slams-qtrax-owners/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Mog’s Return On Investment: Pennies From Heaven?</title>
		<link>http://www.themusicvoid.com/2012/03/mogs-return-on-investment-pennies-from-heaven/#utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=mogs-return-on-investment-pennies-from-heaven</link>
		<comments>http://www.themusicvoid.com/2012/03/mogs-return-on-investment-pennies-from-heaven/#comments</comments>
		<pubDate>Tue, 27 Mar 2012 20:06:30 +0000</pubDate>
		<dc:creator>Wayne Rosso</dc:creator>
				<category><![CDATA[Business Models]]></category>
		<category><![CDATA[Digital]]></category>
		<category><![CDATA[featured]]></category>
		<category><![CDATA[Beats]]></category>
		<category><![CDATA[David Hyman]]></category>
		<category><![CDATA[Doug Morris]]></category>
		<category><![CDATA[HTC]]></category>
		<category><![CDATA[JImmy Iovine]]></category>
		<category><![CDATA[MOG]]></category>
		<category><![CDATA[Sony Music]]></category>
		<category><![CDATA[Spotify]]></category>
		<category><![CDATA[Universal Music]]></category>
		<category><![CDATA[Warner Music]]></category>

		<guid isPermaLink="false">http://www.themusicvoid.com/?p=14064</guid>
		<description><![CDATA[Will Mog's investors get their money back?]]></description>
		<wfw:commentRss>http://www.themusicvoid.com/2012/03/mogs-return-on-investment-pennies-from-heaven/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>YouTube’s Missing Monetization Makes Its Internet TV Prospects Patchy</title>
		<link>http://www.themusicvoid.com/2012/02/youtubes-missing-monetization-makes-its-internet-tv-prospects-patchy/#utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=youtubes-missing-monetization-makes-its-internet-tv-prospects-patchy</link>
		<comments>http://www.themusicvoid.com/2012/02/youtubes-missing-monetization-makes-its-internet-tv-prospects-patchy/#comments</comments>
		<pubDate>Fri, 17 Feb 2012 05:48:07 +0000</pubDate>
		<dc:creator>Robert Andrews</dc:creator>
				<category><![CDATA[Business Models]]></category>
		<category><![CDATA[Digital]]></category>
		<category><![CDATA[Android Mobile]]></category>
		<category><![CDATA[internet TV]]></category>
		<category><![CDATA[Monetisation]]></category>
		<category><![CDATA[Samsung]]></category>
		<category><![CDATA[Vevo]]></category>
		<category><![CDATA[video content]]></category>
		<category><![CDATA[web platform]]></category>
		<category><![CDATA[YouTube]]></category>

		<guid isPermaLink="false">http://www.themusicvoid.com/?p=13873</guid>
		<description><![CDATA[YouTube’s fortunes in the emerging internet TV space may be hampered because it cannot yet help partners monetize their content on the new platform. YouTube (NSDQ: GOOG) now has an app on several connected TVs from manufacturers like Samsung and LG (SEO: 066570), but some owners grumble that it does not include videos found on [...]]]></description>
		<wfw:commentRss>http://www.themusicvoid.com/2012/02/youtubes-missing-monetization-makes-its-internet-tv-prospects-patchy/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Giving Radiohead Too Much Credit: King of Limbs or Jack of Stems?</title>
		<link>http://www.themusicvoid.com/2011/02/giving-radiohead-too-much-credit-king-of-limbs-or-jack-of-stems/#utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=giving-radiohead-too-much-credit-king-of-limbs-or-jack-of-stems</link>
		<comments>http://www.themusicvoid.com/2011/02/giving-radiohead-too-much-credit-king-of-limbs-or-jack-of-stems/#comments</comments>
		<pubDate>Sun, 27 Feb 2011 21:46:48 +0000</pubDate>
		<dc:creator>Joel Flynn</dc:creator>
				<category><![CDATA[Business Models]]></category>
		<category><![CDATA[featured]]></category>
		<category><![CDATA[Labels]]></category>
		<category><![CDATA[Marketing]]></category>
		<category><![CDATA[Apple]]></category>
		<category><![CDATA[b-sides]]></category>
		<category><![CDATA[Beatmaker]]></category>
		<category><![CDATA[CDs]]></category>
		<category><![CDATA[Easerhead]]></category>
		<category><![CDATA[experimental digital video]]></category>
		<category><![CDATA[facebook]]></category>
		<category><![CDATA[GarageBand]]></category>
		<category><![CDATA[In Rainbows]]></category>
		<category><![CDATA[iPhone]]></category>
		<category><![CDATA[Kid A]]></category>
		<category><![CDATA[King of Limbs]]></category>
		<category><![CDATA[LPs]]></category>
		<category><![CDATA[MP3s]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Music Business]]></category>
		<category><![CDATA[Music Industry]]></category>
		<category><![CDATA[music technology]]></category>
		<category><![CDATA[Nevermind]]></category>
		<category><![CDATA[Nirvana]]></category>
		<category><![CDATA[Radiohead]]></category>
		<category><![CDATA[record]]></category>
		<category><![CDATA[stem-cell]]></category>
		<category><![CDATA[Trent Reznor]]></category>

		<guid isPermaLink="false">http://www.themusicvoid.com/?p=8829</guid>
		<description><![CDATA[Joel Flynn drills down on the mechanization behind the recent Radiohead release, examining the actual album, its concept, and what its impact will be on the greater music business...]]></description>
		<wfw:commentRss>http://www.themusicvoid.com/2011/02/giving-radiohead-too-much-credit-king-of-limbs-or-jack-of-stems/feed/</wfw:commentRss>
		<slash:comments>5</slash:comments>
		</item>
		<item>
		<title>Non-exclusivity, direct licensing and the granting of digital composition rights</title>
		<link>http://www.themusicvoid.com/2011/02/non-exclusivity-direct-licensing-and-the-granting-of-digital-composition-rights/#utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=non-exclusivity-direct-licensing-and-the-granting-of-digital-composition-rights</link>
		<comments>http://www.themusicvoid.com/2011/02/non-exclusivity-direct-licensing-and-the-granting-of-digital-composition-rights/#comments</comments>
		<pubDate>Mon, 14 Feb 2011 21:38:55 +0000</pubDate>
		<dc:creator>Rick Riccobono</dc:creator>
				<category><![CDATA[Business Models]]></category>
		<category><![CDATA[featured]]></category>
		<category><![CDATA[Labels]]></category>
		<category><![CDATA[aggregated independent music publishers]]></category>
		<category><![CDATA[authors rights]]></category>
		<category><![CDATA[caller tone]]></category>
		<category><![CDATA[Collection Societies]]></category>
		<category><![CDATA[commercial content distributors]]></category>
		<category><![CDATA[composition rights]]></category>
		<category><![CDATA[digital music service providers]]></category>
		<category><![CDATA[eMusic]]></category>
		<category><![CDATA[Licensing Hubs]]></category>
		<category><![CDATA[mobile karaoke]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Music Business]]></category>
		<category><![CDATA[music distribution]]></category>
		<category><![CDATA[Music Industry]]></category>
		<category><![CDATA[music publishers]]></category>
		<category><![CDATA[music technology]]></category>
		<category><![CDATA[Napster]]></category>
		<category><![CDATA[non-exclusive membership]]></category>
		<category><![CDATA[rights owners]]></category>
		<category><![CDATA[ring back tone]]></category>
		<category><![CDATA[STIM]]></category>
		<category><![CDATA[sub-publishers]]></category>
		<category><![CDATA[Sun Microsystems]]></category>
		<category><![CDATA[Swedish Composition Rights Collection Society]]></category>
		<category><![CDATA[value of copyright]]></category>
		<category><![CDATA[Vivendi Universal]]></category>

		<guid isPermaLink="false">http://www.themusicvoid.com/?p=8524</guid>
		<description><![CDATA[Rick Riccobono, from New Media Law, drills down on the endless struggle between rights owners and commercial content distributors...]]></description>
		<wfw:commentRss>http://www.themusicvoid.com/2011/02/non-exclusivity-direct-licensing-and-the-granting-of-digital-composition-rights/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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