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	<title>THE MUSiC VOiD &#187; Mercury Records</title>
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		<title>EVENT REPORT: Liverpool Sound City</title>
		<link>http://www.themusicvoid.com/2009/05/event-report-liverpool-sound-city/#utm_source=rss&amp;utm_medium=rss&amp;utm_campaign=event-report-liverpool-sound-city</link>
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		<pubDate>Mon, 25 May 2009 11:25:54 +0000</pubDate>
		<dc:creator>Jakomi Mathews</dc:creator>
				<category><![CDATA[Event Reports]]></category>
		<category><![CDATA[Creativman]]></category>
		<category><![CDATA[Fiction records]]></category>
		<category><![CDATA[Live Nation]]></category>
		<category><![CDATA[Liverpool Sound City]]></category>
		<category><![CDATA[Mercury Records]]></category>
		<category><![CDATA[Nic Harcourt]]></category>
		<category><![CDATA[TWBA]]></category>
		<category><![CDATA[Universal Music Publishing]]></category>
		<category><![CDATA[Weinstein Film Co]]></category>

		<guid isPermaLink="false">http://www.themusicvoid.com/?p=370</guid>
		<description><![CDATA[Well TMV have definitely been hard at it these last two weeks from one event to another (turning down the opportunity to report from the International Music Summit in Ibiza this week, three conference weeks after one another is just too much). This time round we headed up to Liverpool for what TMV believe was [...]]]></description>
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		<title>Event Report &#8211; Billboard Music &amp; Money Symposium (NYC)</title>
		<link>http://www.themusicvoid.com/2009/03/billboard-music-money-symposium-event-report/#utm_source=rss&amp;utm_medium=rss&amp;utm_campaign=billboard-music-money-symposium-event-report</link>
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		<pubDate>Mon, 09 Mar 2009 20:23:29 +0000</pubDate>
		<dc:creator>Ben Lazar</dc:creator>
				<category><![CDATA[Business Models]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[AEG]]></category>
		<category><![CDATA[Atlantic records]]></category>
		<category><![CDATA[Benchmark Capital]]></category>
		<category><![CDATA[Billboard]]></category>
		<category><![CDATA[Bonnaroo]]></category>
		<category><![CDATA[Cisco Media Solutions]]></category>
		<category><![CDATA[Elektra Records]]></category>
		<category><![CDATA[eMusic]]></category>
		<category><![CDATA[Hot Topic]]></category>
		<category><![CDATA[Island Def Jam]]></category>
		<category><![CDATA[Island Records]]></category>
		<category><![CDATA[Live Nation]]></category>
		<category><![CDATA[Mercury Records]]></category>
		<category><![CDATA[Nivea]]></category>
		<category><![CDATA[Nokia]]></category>
		<category><![CDATA[O2 Arena]]></category>
		<category><![CDATA[Peer Music]]></category>
		<category><![CDATA[PepsiCo]]></category>
		<category><![CDATA[RIM]]></category>
		<category><![CDATA[Superfly Productions]]></category>
		<category><![CDATA[Ticketmaster]]></category>
		<category><![CDATA[VC Investment]]></category>
		<category><![CDATA[Venrock]]></category>
		<category><![CDATA[Warner Music Group]]></category>

		<guid isPermaLink="false">http://www.themusicvoid.com/?p=322</guid>
		<description><![CDATA[Last week’s Billboard Music and Money Symposium, held under the backdrop of the global market downturn, was a day devoted to the continued pursuit of an answer to the question that has bedeviled both music and finance people for the better part of a decade: How do we make money with music in a fragmented [...]]]></description>
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