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	<title>THE MUSiC VOiD &#187; Twitter</title>
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	<link>http://www.themusicvoid.com</link>
	<description>One of the music industry’s leading sources for music industry opinions, insights and interviews.</description>
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		<title>Why Refusal to Engage Is No Longer Acceptable?</title>
		<link>http://www.themusicvoid.com/2010/07/why-refusal-to-engage-is-no-longer-acceptable/#utm_source=rss&amp;utm_medium=rss&amp;utm_campaign=why-refusal-to-engage-is-no-longer-acceptable</link>
		<comments>http://www.themusicvoid.com/2010/07/why-refusal-to-engage-is-no-longer-acceptable/#comments</comments>
		<pubDate>Tue, 20 Jul 2010 08:58:39 +0000</pubDate>
		<dc:creator>Jakomi Mathews</dc:creator>
				<category><![CDATA[featured]]></category>
		<category><![CDATA[Artist Managers]]></category>
		<category><![CDATA[Bebo]]></category>
		<category><![CDATA[facebook]]></category>
		<category><![CDATA[Last FM]]></category>
		<category><![CDATA[Myspace]]></category>
		<category><![CDATA[Record Labels]]></category>
		<category><![CDATA[Social Media]]></category>
		<category><![CDATA[Twitter]]></category>

		<guid isPermaLink="false">http://www.themusicvoid.com/?p=5318</guid>
		<description><![CDATA[Jakomi Mathews explains why artists must get actively involved with their fans via social media, or risk oblivion. ]]></description>
		<wfw:commentRss>http://www.themusicvoid.com/2010/07/why-refusal-to-engage-is-no-longer-acceptable/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Next Mobile Battleground Is Music Subscription Services</title>
		<link>http://www.themusicvoid.com/2010/06/next-mobile-battleground-is-music-subscription-services/#utm_source=rss&amp;utm_medium=rss&amp;utm_campaign=next-mobile-battleground-is-music-subscription-services</link>
		<comments>http://www.themusicvoid.com/2010/06/next-mobile-battleground-is-music-subscription-services/#comments</comments>
		<pubDate>Wed, 30 Jun 2010 10:31:51 +0000</pubDate>
		<dc:creator>Tricia Duryee</dc:creator>
				<category><![CDATA[Mobile]]></category>
		<category><![CDATA[Altimer Group]]></category>
		<category><![CDATA[Andriod]]></category>
		<category><![CDATA[Apple]]></category>
		<category><![CDATA[Blackberry]]></category>
		<category><![CDATA[Google]]></category>
		<category><![CDATA[HP]]></category>
		<category><![CDATA[iPhone]]></category>
		<category><![CDATA[iTunes]]></category>
		<category><![CDATA[LaLa]]></category>
		<category><![CDATA[Melodeo]]></category>
		<category><![CDATA[mobile music]]></category>
		<category><![CDATA[MOG]]></category>
		<category><![CDATA[mSpot]]></category>
		<category><![CDATA[Music subscription market]]></category>
		<category><![CDATA[Palm]]></category>
		<category><![CDATA[Rhapsody]]></category>
		<category><![CDATA[Ringtones]]></category>
		<category><![CDATA[Thumbplay]]></category>
		<category><![CDATA[Twitter]]></category>

		<guid isPermaLink="false">http://www.themusicvoid.com/?p=5175</guid>
		<description><![CDATA[The mobile music scene is once again a hotbed of startup activity. In the first wave of innovation, the focus was on ringtones. Now the fashionable thing is music subscription services. The list of companies dabbling in the space are too many to count. Just this week, a Berkeley, Calif. startup called MOG, which has [...]]]></description>
		<wfw:commentRss>http://www.themusicvoid.com/2010/06/next-mobile-battleground-is-music-subscription-services/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>Classical Musicians and Modern Technology &#8211; Peter Gregson Part II</title>
		<link>http://www.themusicvoid.com/2010/06/classical-musicians-and-modern-technology-peter-gregson-part-ii/#utm_source=rss&amp;utm_medium=rss&amp;utm_campaign=classical-musicians-and-modern-technology-peter-gregson-part-ii</link>
		<comments>http://www.themusicvoid.com/2010/06/classical-musicians-and-modern-technology-peter-gregson-part-ii/#comments</comments>
		<pubDate>Mon, 07 Jun 2010 14:54:04 +0000</pubDate>
		<dc:creator>Chris Hainslin</dc:creator>
				<category><![CDATA[Live Industries]]></category>
		<category><![CDATA[Abelton Live]]></category>
		<category><![CDATA[APIs]]></category>
		<category><![CDATA[Audience Participation]]></category>
		<category><![CDATA[Bach]]></category>
		<category><![CDATA[Digital Generation]]></category>
		<category><![CDATA[DRM]]></category>
		<category><![CDATA[flickr]]></category>
		<category><![CDATA[Hyperbow]]></category>
		<category><![CDATA[Imogen Heap]]></category>
		<category><![CDATA[Logic]]></category>
		<category><![CDATA[MIT Media lab]]></category>
		<category><![CDATA[Mozart]]></category>
		<category><![CDATA[Peter Gabriel]]></category>
		<category><![CDATA[Real World Records]]></category>
		<category><![CDATA[Secret Garden party]]></category>
		<category><![CDATA[SMS SHortcodes]]></category>
		<category><![CDATA[Social Media]]></category>
		<category><![CDATA[software visualisers]]></category>
		<category><![CDATA[Spotify]]></category>
		<category><![CDATA[Technology Installation]]></category>
		<category><![CDATA[Twitter]]></category>
		<category><![CDATA[Vimeo]]></category>
		<category><![CDATA[Webcasting]]></category>

		<guid isPermaLink="false">http://www.themusicvoid.com/?p=4879</guid>
		<description><![CDATA[Peter Gregson continues with his thoughts on digital technology and contemporary classical music. The 23-year-old award winning musician gives insight into how the classical music world is making use of modern technology to reach a wider online audience, while at the same time helping to bring back the live music experience. What are your thoughts [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Classical Musicians and Modern Technology &#8211; Part I</title>
		<link>http://www.themusicvoid.com/2010/06/classical-musicians-and-modern-technology/#utm_source=rss&amp;utm_medium=rss&amp;utm_campaign=classical-musicians-and-modern-technology</link>
		<comments>http://www.themusicvoid.com/2010/06/classical-musicians-and-modern-technology/#comments</comments>
		<pubDate>Tue, 01 Jun 2010 07:53:35 +0000</pubDate>
		<dc:creator>Chris Hainslin</dc:creator>
				<category><![CDATA[Live Industries]]></category>
		<category><![CDATA[Abelton Live]]></category>
		<category><![CDATA[APIs]]></category>
		<category><![CDATA[Audience Participation]]></category>
		<category><![CDATA[Bach]]></category>
		<category><![CDATA[CD Sleeves]]></category>
		<category><![CDATA[Digital Generation]]></category>
		<category><![CDATA[DRM]]></category>
		<category><![CDATA[flickr]]></category>
		<category><![CDATA[Hyperbow]]></category>
		<category><![CDATA[Imogen Heap]]></category>
		<category><![CDATA[Logic]]></category>
		<category><![CDATA[MIT Media lab]]></category>
		<category><![CDATA[Mozart]]></category>
		<category><![CDATA[Peter Gabriel]]></category>
		<category><![CDATA[Peter Gregson]]></category>
		<category><![CDATA[Real World Records]]></category>
		<category><![CDATA[SMS SHortcodes]]></category>
		<category><![CDATA[Social Media]]></category>
		<category><![CDATA[software visualisers]]></category>
		<category><![CDATA[Spotify]]></category>
		<category><![CDATA[Surround Sound]]></category>
		<category><![CDATA[Technology Installation]]></category>
		<category><![CDATA[Twitter]]></category>
		<category><![CDATA[Vimeo]]></category>
		<category><![CDATA[Web Apps]]></category>
		<category><![CDATA[Webcasting]]></category>

		<guid isPermaLink="false">http://www.themusicvoid.com/?p=4782</guid>
		<description><![CDATA[Following on in our series on the classical music industry, Chris Hainslin looks at the artist Peter Gregson and his use of technology to enhance the classical music experience.]]></description>
		<wfw:commentRss>http://www.themusicvoid.com/2010/06/classical-musicians-and-modern-technology/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Event Report: @ SXSW Tues 16th March &#8211; The State Of Music Blogs 2010</title>
		<link>http://www.themusicvoid.com/2010/03/event-report-sxsw-tues-16th-march-the-state-of-music-blogs-2010/#utm_source=rss&amp;utm_medium=rss&amp;utm_campaign=event-report-sxsw-tues-16th-march-the-state-of-music-blogs-2010</link>
		<comments>http://www.themusicvoid.com/2010/03/event-report-sxsw-tues-16th-march-the-state-of-music-blogs-2010/#comments</comments>
		<pubDate>Thu, 18 Mar 2010 15:10:22 +0000</pubDate>
		<dc:creator>Cassandra Callais</dc:creator>
				<category><![CDATA[Event Reports]]></category>
		<category><![CDATA[Black Cab Sessions]]></category>
		<category><![CDATA[Bloggers]]></category>
		<category><![CDATA[Drive a Faster Car]]></category>
		<category><![CDATA[EMI]]></category>
		<category><![CDATA[Hype Machine]]></category>
		<category><![CDATA[LaLa]]></category>
		<category><![CDATA[Live Journal]]></category>
		<category><![CDATA[MP3s]]></category>
		<category><![CDATA[Music Blogs]]></category>
		<category><![CDATA[Sideway Media]]></category>
		<category><![CDATA[Twitter]]></category>
		<category><![CDATA[Wordpress]]></category>

		<guid isPermaLink="false">http://www.themusicvoid.com/?p=3572</guid>
		<description><![CDATA[Cassandra Callais, reports from the SXSW 2010 panel sessions]]></description>
		<wfw:commentRss>http://www.themusicvoid.com/2010/03/event-report-sxsw-tues-16th-march-the-state-of-music-blogs-2010/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Fanning the flames of innovation: New Fan Management Tools &amp; Companies</title>
		<link>http://www.themusicvoid.com/2010/03/fanning-the-flames-of-innovation-new-fan-management-tools-companies/#utm_source=rss&amp;utm_medium=rss&amp;utm_campaign=fanning-the-flames-of-innovation-new-fan-management-tools-companies</link>
		<comments>http://www.themusicvoid.com/2010/03/fanning-the-flames-of-innovation-new-fan-management-tools-companies/#comments</comments>
		<pubDate>Tue, 09 Mar 2010 16:06:25 +0000</pubDate>
		<dc:creator>Angel Gambino</dc:creator>
				<category><![CDATA[Marketing]]></category>
		<category><![CDATA[featured]]></category>
		<category><![CDATA[CRM]]></category>
		<category><![CDATA[Facebook Connect]]></category>
		<category><![CDATA[Fanbridge]]></category>
		<category><![CDATA[Google]]></category>
		<category><![CDATA[ISP]]></category>
		<category><![CDATA[Label]]></category>
		<category><![CDATA[Manager]]></category>
		<category><![CDATA[Myspace]]></category>
		<category><![CDATA[Publisher]]></category>
		<category><![CDATA[Twitter]]></category>

		<guid isPermaLink="false">http://www.themusicvoid.com/?p=3375</guid>
		<description><![CDATA[Angel Gambino begins a month of CEO interviews; this week's interview is with Noah Dinkin CEO and co-founder of the dynamic Fanbridge service. See what was said and what points were brought up.]]></description>
		<wfw:commentRss>http://www.themusicvoid.com/2010/03/fanning-the-flames-of-innovation-new-fan-management-tools-companies/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Musicblogocide 2010: How Doing Right Can Come Off So Wrong</title>
		<link>http://www.themusicvoid.com/2010/02/musicblogocide-2010-how-doing-right-can-come-off-so-wrong/#utm_source=rss&amp;utm_medium=rss&amp;utm_campaign=musicblogocide-2010-how-doing-right-can-come-off-so-wrong</link>
		<comments>http://www.themusicvoid.com/2010/02/musicblogocide-2010-how-doing-right-can-come-off-so-wrong/#comments</comments>
		<pubDate>Tue, 16 Feb 2010 09:36:58 +0000</pubDate>
		<dc:creator>Cassandra Callais</dc:creator>
				<category><![CDATA[Online]]></category>
		<category><![CDATA[featured]]></category>
		<category><![CDATA[BloggerRapidshare]]></category>
		<category><![CDATA[DMCA]]></category>
		<category><![CDATA[Google]]></category>
		<category><![CDATA[Google Buzz]]></category>
		<category><![CDATA[Guardian]]></category>
		<category><![CDATA[I Rock Cleveland]]></category>
		<category><![CDATA[Its a Rap]]></category>
		<category><![CDATA[Livejournal]]></category>
		<category><![CDATA[Living Ears]]></category>
		<category><![CDATA[Masala]]></category>
		<category><![CDATA[Pop Tarts]]></category>
		<category><![CDATA[RIAA]]></category>
		<category><![CDATA[To Die by Your Side]]></category>
		<category><![CDATA[Twitter]]></category>

		<guid isPermaLink="false">http://www.themusicvoid.com/?p=3231</guid>
		<description><![CDATA[This past week has been an abomination in PR for Google, starting with privacy upheaval in terms of Google Buzz’s automatic stalking…err following feature that added people you frequently IM and email without consent. Then came news that Google blog service Blogger deleted six of the biggest music blogs on its service, including their entire [...]]]></description>
		<wfw:commentRss>http://www.themusicvoid.com/2010/02/musicblogocide-2010-how-doing-right-can-come-off-so-wrong/feed/</wfw:commentRss>
		<slash:comments>4</slash:comments>
		</item>
		<item>
		<title>My Christmas Wish List</title>
		<link>http://www.themusicvoid.com/2009/12/my-christmas-wish-list/#utm_source=rss&amp;utm_medium=rss&amp;utm_campaign=my-christmas-wish-list</link>
		<comments>http://www.themusicvoid.com/2009/12/my-christmas-wish-list/#comments</comments>
		<pubDate>Tue, 22 Dec 2009 22:39:56 +0000</pubDate>
		<dc:creator>Ted Cohen</dc:creator>
				<category><![CDATA[Wide Angle]]></category>
		<category><![CDATA[MOG]]></category>
		<category><![CDATA[Motorola Droid]]></category>
		<category><![CDATA[Spotify]]></category>
		<category><![CDATA[The Beatles]]></category>
		<category><![CDATA[Twitter]]></category>
		<category><![CDATA[Zune]]></category>

		<guid isPermaLink="false">http://www.themusicvoid.com/?p=2292</guid>
		<description><![CDATA[As I sit here at the end of an eventful year, it feels like we’ve made a lot of progress in digital music, but we have such a long way to go. My wish is that the gains we’ve made are the basis for the digital music landscape we’ve all dreamed of. Digital services and [...]]]></description>
		<wfw:commentRss>http://www.themusicvoid.com/2009/12/my-christmas-wish-list/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Exclusive Service Review: ReverbNation Store</title>
		<link>http://www.themusicvoid.com/2009/12/exclusive-service-review-reverbnation-store/#utm_source=rss&amp;utm_medium=rss&amp;utm_campaign=exclusive-service-review-reverbnation-store</link>
		<comments>http://www.themusicvoid.com/2009/12/exclusive-service-review-reverbnation-store/#comments</comments>
		<pubDate>Tue, 15 Dec 2009 07:15:04 +0000</pubDate>
		<dc:creator>Cassandra Callais</dc:creator>
				<category><![CDATA[Gadget & Service Reviews]]></category>
		<category><![CDATA[featured]]></category>
		<category><![CDATA[Audiolife]]></category>
		<category><![CDATA[CDs]]></category>
		<category><![CDATA[downloads]]></category>
		<category><![CDATA[facebook]]></category>
		<category><![CDATA[Fanreach]]></category>
		<category><![CDATA[Myspace]]></category>
		<category><![CDATA[OpenSocial App]]></category>
		<category><![CDATA[ReverbNation]]></category>
		<category><![CDATA[Ringtones]]></category>
		<category><![CDATA[Twitter]]></category>

		<guid isPermaLink="false">http://www.themusicvoid.com/?p=1871</guid>
		<description><![CDATA[Cassandra Callais was lucky enough to be given a special pre-launch tour by Reverb Nations COO Jed Carlson along with the opportunity to review their soon to be launched ReverbNation Store service...]]></description>
		<wfw:commentRss>http://www.themusicvoid.com/2009/12/exclusive-service-review-reverbnation-store/feed/</wfw:commentRss>
		<slash:comments>8</slash:comments>
		</item>
		<item>
		<title>Show Me The Money</title>
		<link>http://www.themusicvoid.com/2009/12/show-me-the-money/#utm_source=rss&amp;utm_medium=rss&amp;utm_campaign=show-me-the-money</link>
		<comments>http://www.themusicvoid.com/2009/12/show-me-the-money/#comments</comments>
		<pubDate>Mon, 14 Dec 2009 23:20:00 +0000</pubDate>
		<dc:creator>Marie-Alicia Chang</dc:creator>
				<category><![CDATA[Marketing]]></category>
		<category><![CDATA[featured]]></category>
		<category><![CDATA[BBC]]></category>
		<category><![CDATA[Music Industry]]></category>
		<category><![CDATA[Pitchfork]]></category>
		<category><![CDATA[ROI]]></category>
		<category><![CDATA[Social Media]]></category>
		<category><![CDATA[Twitter]]></category>

		<guid isPermaLink="false">http://www.themusicvoid.com/?p=2064</guid>
		<description><![CDATA[Measurement is a word that I have been hearing a lot lately in media and broadcast circles. Specifically, in terms of the measurement of social media activity. Can it be assessed in the same way as marketing ROI? How indeed is it assessed? And what kind of budgets should be put aside for social media [...]]]></description>
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		<slash:comments>0</slash:comments>
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