50 F
New York
Friday, April 26, 2024
HomeArchiveLondon Calling Day 1 June 19th Report

London Calling Day 1 June 19th Report

Date:

Related stories

Homeless Hell: The Camp That Could Kill Rock History

Sunset Studio, one of the few remaining recording studios in Hollywood after many closed due to high costs and new technologies, faces a danger worse than a single wild rock star. Sunset Sound’s three studios have produced more than 300 gold records but they could be ruined by a filthy homeless camp next to the building. Garbage is stacked high, needles and pipes are scattered on the ground and homeless people use the street as a toilet.

TikTok vs Universal Music and The Music Businesses Coming of Age

Well, it’s definitely been an interesting few weeks, looking across the ballfield of TikTok vs Universal Music. What is heartening to see is that major labels such as Universal Music seem to have finally learned from previous mistakes made initially in the 1980s. 

Unleashing Chaos: How To Get Free Music- And Why The Music Industry Can’t Stop It

The same platform that brought you cat videos and cringe-worthy influencers is now the go-to place for snagging every song imaginable. Thanks to some clever websites, you can rip the audio from any YouTube video, download it as an MP3 or .wav file, and sail the seas of free music. No subscriptions, no ads, no hassle.

February Round-up: Four music events to attend

Winter holidays have passed quickly, and there are the...

Pitchfork Effect

Last week, media company Condé Nast revealed its plan...

Well yesterday (Thursday) The Music Void were very busy attending the London Calling music industry conference. Most of the day was spent video interviewing senior executives from the music industry and also mobile and digital space (watch this space for when the video interviews will be posted on The Music Void). I did however happen to catch two conference sessions. The first was a keynote from Martin Blomkvist at Sony Ericsson. The second was a panel following on from Martin’s keynote focusing on the future of mobile music.

Martin was very keen to street the importance of the music industry changing its current strategy and focus ion investing in lots of new business models. It was stated that there was a 20:1 ratio in terms of illegal P2P versus legal downloads. It was also made clear that a tendency to only look at one solution at a time is not good and that music content owners, handset manufacturers and operators need to look at all options and not focus on only one.

He then went on to outline how Sony Ericsson was addressing the consumer ease of use equation. The Sony Ericsson track ID in partnership with Gracenote on first look seemed like a great new service, especially when it was tied into the ability to find out what the track is (similar to SHAZAM in that sense) and then listen to the track from Sony Ericsson music store with a third click to purchase. In my mind it does seem a fully integrated service.

The panel included Andrew Fisher the CEO of Shazam, Richard Wheeler the Head of Music at Orange, Luke Magnuson International category manager at T-Mobile, Scott Lyons Director Ecosystem Market Development Team, Gareth Currie, Director at Gulp Marketing and finally Gerard Grech, Chairman MEF EMEA.

So, the panel was chock full of operators, handset manufacturers and mobile service providers and industry bodies. However, since its focus was on the future of mobile music, I was surprised that there was not a record label on the panel and to me this was a gap. It would have been good to hear a record companies view of the future of mobile music.

However, the panel was still extremely insightful. The issue of UI and the fact that ease of use has been a problem both at handset manufacturers and operators was discussed. The iPhone was widely praised for pushing the standard of user experience in the mobile realm. Interoperability between operators and handsets alike was also discussed. Scott Lyons made a very key point that we “need less formats not more”. Gareth Currie also made the key statement that only 20% of music content on mobile phones is purchased via retail services with the remaining 80% being side-loaded.

A discussion ensued focusing on subscription models and how the online experience of such models had been “difficult”, but that new mobile services were evolving and there was much confidence that they would prove to me more successful than the online version. In Martin Blomkvist views mobile music subscription will work if it is offered in a “convenient environment”.

Overall, in the exhibition area footfall seemed to be down in comparison to 2007. Yet the panels were visibly busier than last year. I think this a sign that the conference programme is getting traction at London calling. A run-down of Friday 20th June at London Calling will be posted soon.

 

 

Author

  • Wayne Rosso

    Wayne Rosso has worked in music and technology for decades. He has worked with such artists as Aerosmith, Bee Gees, Crosby, Stills & Nash, Public Image LTD., Beach Boys, Phillip Glass, Fleetwood Mac, Rick James, New Kids on the Block, Slash, Evanescence and scores of others.

Subscribe

- Never miss a story with notifications

- Gain full access to our premium content

- Browse free from up to 5 devices at once

Latest stories

spot_img

LEAVE A REPLY

Please enter your comment!
Please enter your name here