72.5 F
New York
Monday, October 2, 2023
HomePiracyMajor Labels On A Wild Goose Chase For An "Anti-Piracy Guru": A...

Major Labels On A Wild Goose Chase For An “Anti-Piracy Guru”: A Desperate Attempt To Catch Digital Shadows And Save The Music Industry (Spoiler: Good Luck With That)


Related stories

October Round-Up: Five Music Industry Events to Attend

As October begins, it is getting harder to choose...

Independent Music Awards 2023: Teenage Kicks

Björk at the AIM Awards (photo by Santiago Felipe). Pacemakers...

Deezer’s Musical Makeover: The Good, The Bad, And The Head-Scratching

The recent Universal Music Group-brokered deal with the French music streaming service, Deezer, has been the subject of much debate. Martin Mills of Beggars Group, Darius Van Arman of Secretly Distribution, Stephan Bourdoiseau of Wagram Stories, and Emmanuel de Buretel of Because Music joined forces in a post in Music Ally that confronts the pros and cons of the user-centric versus pro-rata streaming models.

Anchor Music Award: Lotus, Peony, Daisy and Tony Visconti

The winner of Anchor 2023 Ichiko Aoba (photo by...

Apple Vision Pro: The Next Big Flop In Apple’s Hall Of Shame?

Apple is one of the greatest companies on earth. They produce products that are unequalled in consumer technology. But like any company, they release products that are flops in the marketplace. Apple, unlike a lot of other companies, knows how to bury their stiffs like they never existed.

In the ongoing battle between major labels and the cunning purveyors of unauthorized content, a recent call to action has caught our attention. According to a recent article on TorrentFreak, the IFPI is on the lookout for an “anti-piracy guru” to investigate illicit apps and safeguard their precious content.


But first, let’s contemplate the irony of major labels playing the role of the aggrieved. These industry behemoths, with their deep pockets and strategic maneuvering, have long been the puppet masters of the music industry. Yet now they find themselves at the mercy of small renegade players navigating the vast digital landscape. It’s quite the spectacle to witness these labels, often accused of exploiting artists, seeking empathy and support in their battle against unauthorized content. It’s like a millionaire complaining about the cost of his latte at Starbucks.

Imagine this “anti-piracy guru” as a modern-day Columbo, diligently scouring the digital domain while the unauthorized content creators smirk from the shadows. With the power of copyright laws in his back pocket, this fearless detective embarks on their quixotic quest, determined to rid the music industry of those vile pirate apps that pose a grave threat to its very existence.

But when reality hits, we have to face the inconvenient truth that unauthorized content is a shape-shifting creature—eliminate one form and ten more will pop up in its place. No matter how tireless this detective’s efforts, fresh unauthorized apps will emerge with the resilience of sewer rats. It’s a game of cat and mouse that can never truly be won.

While unauthorized content undoubtedly presents challenges to the industry, the focus should be on adapting to the evolving landscape rather than waging a futile war against it. The rise of streaming platforms like Spotify and Apple Music has demonstrated that people are willing to pay for convenience and access to a vast library of music. Embracing these changes and finding innovative ways to engage fans should be the top priority.


Instead of channeling resources into an anti-piracy guru, wouldn’t major labels be better off investing in creating superior, more affordable, and easily accessible platforms for music consumption? Rather than clinging to outdated business models, they should embrace new technologies and collaborate with streaming services to provide fans with seamless experiences.

Just imagine a world where major labels join forces with artists to craft unique, immersive experiences that defy replication by unauthorized apps. Imagine personalized live-streamed concerts, virtual reality music festivals, or exclusive behind-the-scenes content that connects fans with their beloved artists on a deeper level. The possibilities are boundless, and the potential for revenue and growth is immense. But, of course, it will never happen.

In the complex and chaotic world that is the music industry, unauthorized content has become an undeniable force. However, the pursuit of an anti-piracy guru by the IFPI appears to be an impractical task. Instead of investing in an anti-piracy guru, major labels would do well to create superior, affordable, and easily accessible platforms for music consumption. It’s time to embrace new technologies and collaborate with streaming services to provide fans with seamless experiences. Eventually unauthorized content becomes nothing more than a distant whisper in the digital abyss.

If we’re lucky, major labels and creators of unauthorized content might find a way to coexist harmoniously. And hey, if an unauthorized app helps us discover that harmony, maybe it’s time we recognize the ingenuity of those who dare to disrupt the status quo.

Check out the IFPI job posting here. BTW, the pay sucks.


  • Wayne Rosso

    Wayne Rosso has worked in music and technology for decades. He has worked with such artists as Aerosmith, Bee Gees, Crosby, Stills & Nash, Public Image LTD., Beach Boys, Phillip Glass, Fleetwood Mac, Rick James, New Kids on the Block, Slash, Evanescence and scores of others.


- Never miss a story with notifications

- Gain full access to our premium content

- Browse free from up to 5 devices at once

Latest stories



Please enter your comment!
Please enter your name here